‘I
work in the sentence. The sentence is the essence of our humanity. It’s our
greatest invention and I love working in it. It’s a great privilege that I make
some sort of a living from every day dabbling in this essential piece of our
humanness. Yes, I love a good sentence. I spend a great deal of time trying to
get them right.’
Saturday, 29 March 2014
This essential piece of our humanness
I
liked what John Banville said to Claudia Winkleman on Radio 2 last night about
the sentence, so I went on to iPlayer and transcribed it:
Sunday, 16 March 2014
The slaying of the ice monsters
I
have a piece called ‘The slaying of the ice monsters’, on TV masts, in the
latest issues of Craig Taylor’s excellent magazine Five Dials. You can view it
(and all the other issues) here:
Mundane quote for the day: ‘A
television aerial was poised from the roof, like a new kind of flag deprived of
its drapery either because the color and motto were undecided or because the
object of loyalty was vanished or dead or had never existed.’ Janet Frame, Scented Gardens for the Blind
Sunday, 2 March 2014
Gumming up the works
The artist and writer Joanne Lee kindly sent me the
latest offering from her own Pam Flett Press, ‘Gumming up the works’. It begins
as a meditation on those blobs of chewing gum that dot across urban pavements.
I learn that the common Lecanora
muralis has the vernacular name ‘chewing gum lichen’ because it is ‘a dead
ringer for discs of trodden gum’. And that in 2012, the French state-owned rail
company SNCF ‘commissioned a huge sculpture of green gum, around which
passengers had to navigate to access the entrance of Marseille railway station.
It formed part of a campaign titled Il
n’y a pas de petites incivilities that sought to deal with a variety of
antisocial or aggressive behaviours, including the littering of gum and
discarded cigarettes.’
Like its predecessors, though, Gumming Up the Works is also a series of riffs on Lee’s extensive
reading from Jarvis Cocker to Carlo Ginzburg. I felt some sympathy with this
little lament halfway through:
‘I fail to achieve objectivity: my projects are way
too personal and autobiographical for peer-reviewed publication, but too
cluttered with footnotes and academic debate to find a place in a publisher’s
non-fiction lists. My investigations are deficient in a formal academic
methodology and instead oscillate between a series of temporary critical
alliances, chance encounters, and obsessive fandom … I easily forget the bigger
picture, instead getting sidetracked in juicy digressions, fixated upon all
kinds of minutiae or enjoying the jewel-like quotations I’ve mined from unpromising
sources.’
In fact, what I was sent is really a companion
volume of footnotes to a spoken word recording which you can listen to here:
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