Being invisible has its advantages for a writer on
the mundane. Who better than to write about the generic, unnoticed areas of our
lives than someone who is also generic and unnoticed? Denis Mitchell, the great
documentary maker, would walk round the streets of Manchester on his own
after midnight with a portable tape recorder for his 1954 radio series, People
Talking, talking to the homeless, criminals and others on the margins of
society. He always attributed his success to his nondescript appearance. According
to his fellow producer Philip Donnellan, he said barely a
word, ‘holding the mic with one hand and a ciggie with the other, encouraging
people only with his look of battered and opaque world-weariness’. The oral
historian Tony Parker, a similarly unassuming character, called himself 'a
blackboard for people to write on'. For his 1994 book
Townscape with Figures, the then septuagenarian Richard Hoggart simply ambled
round his hometown of Farnham in Surrey , carefully
observing the rituals of the railway platforms and supermarket tills. ‘Better
to be an unknown, to float through town looking and listening, a would-be observant
ghost’, he wrote.
Mass Observation's Tom Harrisson, who certainly
wasn't unmemorable - Judith Heimann uses a quote from Henry V, 'The Most
Offending Soul Alive', for the title of her biography of him - thought it was
better to observe people unnoticed rather than talk to them, although he did
not always follow his own advice.
For a student of the ordinary, being ordinary has
its uses. Other than that, I would have to say that being invisible doesn't
have a lot to recommend it. If I were you, I would try to be memorable instead.
Mundane quote for the day:
I spent my second quarter-century
Losing what I had learnt at university
And refusing to take in what had happened since.
Now I know none of the names in the public prints,
And am starting to give offence by forgetting faces
And swearing I've never been in certain places.
Philip Larkin, 'The Winter Palace '
I can't remember who said this now: such is her memorability and my memory, but it was along the lines that a woman over forty goes unnoticed in this world. Does the same prevail for men? Does it matter as long as we remember who we are talking to just now?
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